Another preview of Sunday Cantata.
Bach didn’t write any cantatas for the feast of the Baptism of Our Lord, so this Sunday’s offering is for the First Sunday after the Epiphany. The libretto meditates on the Gospel selection from Luke 2:41–52, where Mary and Joseph lose the 12-year-old Jesus—and then find Him in the Temple, where He had been all along.
The unknown poet whose text Bach set takes the idea of losing, searching for, and finding, Jesus as his theme and spiritualises it: transposing Mary’s distress to the soul who has lost Jesus on account of his own sin—and then finds Him where He had been all along: in Word and Sacrament. All good CA VII stuff!
Here’s a little taster: first, the start of the opening tenor aria, with anguish and distress in every note, every diminished chord, every dramatic pause:
My dearest Jesus is lost:
Oh word that brings me despair,
Oh sword that pierces through my soul,
Oh thunderous word in my ears.
Then part of the penultimate movement, a delightful duet for alto and tenor solo, rejoicing in the happy conclusion (and proving yet again, if it were needed, that no composer does joy quite so splendidly as Bach!):
How happy I am, Jesus is found,
Now I am troubled no more.,
He whom my sould loves,
Reveals Himself to me in hours of joy.
I want never again to abandon you, my Jesus,
I want constantly to embrace you in faith.
The soloists are Gerd Türk, tenor, and the incomparable Robin Blaze, counter-tenor. The recording is from Vol. 17 of the complete cantata cycle from Bach Collegium Japan.